Heard Camel‘s Rhayader on my cable’s music channels. It was great hearing them again. I’m always impressed by how much Progressive Rock groups were able to get inspired by Classical Music without loosing their own touch and sound. Camel’s Rhayader is a good example to that.
The following YouTube video shows Camel live doing Rhayader and then Rhayader Goes To Town live in 1977.
Click here to go to the The Snow Goose album on Amazon
Portion of the Psalms Scroll (Tehilim) from Qumran (credit: Wikipedia)
The music I hear in the morning has the most effect on me. Usually I find Baroque music the most enjoyable to listen to as the day starts. I guess this is because its festive and very structured. It’s very repetitive and has all kinds of exciting forms of combining musical themes together. Altogether Baroque music have meditative and focusing effects on me, exactly what I need in the morning…
A few years back, I flew from Tel Aviv to London. I was about to meet my new bosses in a new firm I just joined. Away from my family I needed a musical companionship that morning more than the usual. I tuned the radio in the hotel room to one of the classical music stations. The music I heard was meditative and composed with all kind of interesting structures. In addition I suddenly heard familiar words sung. About 3,500KM (2,200 miles) from home I heard a musical piece in Hebrew. It sounded too modern to be Baroque but it had many common feature. What I heard was Steve Reich‘s “Tehilim” (Psalms) and it certainly made me closer to home and at the same time ready for the new starts waiting for me on that morning.
Steve Reich (born 1936) composed “Tehilim” in 1981 and its his first piece to reflect his Jewish heritage. You can listen to it on YouTube below don’t let the background lights distract you from the music:
Pink Floyd—The Wall (Photo credit: Wikipedia)
Saw a real good documentary on the history of the rock last night. 60′s to 80′s rock to be precise. History of music in general is all about the continuous chains of inspirations and influences, starting as early as the dawn of humankind. The program’s starting point was Syd Barret and his influence on Pink Floyd, David Bowie, all the way to Roxy Music.
Watching this excellent program you can understand who did what and to whom but as I’m sure you’ll agree, to really understand music you need to spend much more than one hour listening to it.
The constant tension between the search for the right form of expression and the way the audience perceive them, haunted musicians long before the 60′s. Roger Waters wanted to protest against the rioting crowd at the grandiose Pink Floyd performances. In order to prove the disconnection between the group and its crowd, he conceived the idea of building The Wall, live on concert, to symbolize this gap (as well as other ideas). Continue reading